Village started in Corn Exchange in 2012 with the aim to create a space where self / independently published publications could be available to the general public and bring stuff from outside the city into the city, and also provide a space where creatives working and studying in Leeds could gain exposure. This then tries to challenge the theory that all work is in London, trying to create a more stable market in Leeds without having to move away. They hold exhibitions for Leeds alumni, release publications on the end of it.
Zines are another form of publication, starting with 70s punk zines it's become a useful yet unconventional method of showcasing their work, other people's work and focus on specific topics.
Why Self Publish?
In the age of internet its so easy to get your work seen everyday, everybody's work can be easily accessed however a zine slows people down as a form of active participation. You're touching, smelling and seeing it as opposed to scanning through it on a screen.
Another method of showcasing your work is to produce a manual publication in the form of a journal, like the Nourished Journal released every January. Look at Catalogue as well, Library paper : Romance.

What We Look For
Every element of the book says something about the content inside and it all forms a cohesive narrative. First thing you look at is the:
concept of the book = under arching idea and purpose
format = potential to communicate a lot about the book and drive the idea
Thomas Sauvin- till death do us part

Max Siedentopf- funny money
Matthew Connors- Fire In Cairo
This publication starts off with smaller imagery and continually getting larger until the last page is full bleed, you also don't realise until you reach the end that the book is purposely bound backwards so you start at the end of the book.
This is the same ocean- edited and published by Samuel J Davidson
Playing around with print techniques, playing around with image and content to create something new
Paper Stock
Change look and feel of the images, consider what you're trying to convey through your publication and context of subject matter.
Bartolomeo Celestino- Surface Phenomena
Combination of paper stocks, each image is from a spot taken every day for 18 months, some are portrait some landscape to accentuate the idea that the ocean can send you delusional, looking at it too long is hypnotic.
Binding
Challenge these notions, the book doesn't necessarily have to be bound but if it is consider how the aesthetic/ physical way you interact with it is contextually appropriate.
Details
Hand drawn/ written elements? More personal touches
Folds
Pullouts
Books As A Product
Come to Village have a chat
Not a get rich quick scheme
Consider exposure, many people will have picked up your book & seen your name even if they don't actually go on to buy it which is often more valuable.
The Self Publishing Community
Pick up as many books as possible
steal and borrow ideas
meet those who are also publishing their own books
Christopher Nunn- Ukraine

Ukrainian street dogs photographed at night
published by Village
Christopher Nunn- Holy Water
Tripod City- Gold Dust
Three London photographers, no photo credits on each image as it doesn't matter who as they all follow the same story.
Celebrated Ghanian culture, all images speak for themselves, full bleed.
Charlie Kwai- Overtime

In an office style document sleeve, paper stock glossy, thin. This photographer isn't afraid to get in people's faces with his flash with excellent results.